How To Create A Phased Out Retro Synth Pad With Analog

by Ryan

  • File Under: Tutorials
  • |

Synth pads are versatile little creatures. They can serve as the lush background for a full track, or (in a lot of Ambient music’s case) serve as the front-man on tracks. Either way, pads are fun to program and even funner to play. In this tutorial i’ll show you how to carve out a nice, phase-ey retro synth pad with Ableton’s Analog.



Step 1.)

Start off by dragging a copy of Analog onto a new MIDI track.

Dragging a copy of Ableton's Analog onto a new track.

Simply drag a copy of Analog from Ableton’s device window onto a new MIDI track.


Step 2.)

Program a couple of chords into your piano roll window. I decided on an A Minor to a B Minor Aug5.

The Chords A Minor and B Minor Aug5 are used for this tutorial

The chord sequence I am using for this tutorial. A Minor notes are: A2, C3 and E3. B Minor Aug5 notes are B2, D3 and G3. This sequence is set to a 2 bar loop.

Here is what the sequence sounds like so far:

 

Pretty boring, lets start shaping the sound.


Step 3.)

Next, we’ll quickly change the routing of our newly created Analog synth. Locate the routing section by clicking on the main panel (1) and clicking the “Quick Routing 2″ option (2) under the routing section in the middle of the device.

Showing how to get to the Quick Routing 2 on Ableton's Analog

Changing to Quick Routing 2 allows for both oscillators to be fed directly into their own filter, and finally their own amp section. This means better control over shaping our sound.


Step 4.)

Be sure to activate the second oscillator by clicking the “Osc2″ (1) button at the bottom left of Analog. Also, be sure to lower the volume on each oscillator from 0.0dB to -5.00dB on each.

Lowering the volume on both of our Oscillators in Ableton's Analog

Lowering the volume of both Oscillators in Ableton’s Analog will help prevent some clipping as we sculpt the sound.


Step 5.)

Next, locate both Filter Section 1 (1) and Filter Section 2 (2) (“Fil1″ and “Fil2″) and change Filter 1 Freq knob to 4.0k and Filter 2 Freq knob to 1.0k. This helps to smooth out the sound. After that, be sure to change the filter mode to LP24 on both oscillators for a higher quality filter.

Analog's filter section

Smoothing out the sound with both of Analog’s built in filter sections.

Already you can hear the sound losing some of it’s high end, helping making it sound a bit for lo-fi.

 

Step 6.)

Head over the both oscillator sections and change OSC1′s detune knob to 0.08 and OSC2′s detune knob to -0.05. Also, change OSC2′s wave form to a Square wave.

Analog's 2 oscillators sections

Both of Analog’s oscillator’s are at the heart of shaping your sound based on their selected waveform.

You can hear that adding another oscillator and de tuning them has helped fatten up the sound a bit.

 

Step 7.)

Here is where the real sound shaping starts to take place. Click on Amp1 (1) and bring the attack to 1.0s, the sustain to 1.0, the S.Time to inf s and the release to 1.10. Also, under the Pan Mod and Level Mod settings, change LFO1 to 0.50. Here are the settings for Amp1:

Amp1 section in Analog

The settings on Amp1 for our retro synth pad sound.

On Amp2 (2) your attack should be 2.0, the sustain at 1.00, the S.Time at inf s and the release at 1.10. Have the settings under Pan Mod and Level Mod the same, except invert the settings to -0.50. Here are the settings for Amp2:

Amp2 section in Analog

Fine tuning each Amp section gives unlimited amounts of control over the shape of your sound.

We are getting closer to the desired sound:

 

Step 8.)

Now for a little tweaking on both of Analog’s LFOs. Both LFOs (1) and (2) will have the same exact settings so this is pretty straightforward. Start off by both activating the LFOs by clicking the LFO buttons green. Next click the music note to change their rate to tempo match. Lastly, both change rate knobs to 1/4.

Analog's LFO section

Activating the LFO ensures that the settings we made in our amp section will give us a hazy rotating effect.

Here is the aforementioned sound:

 

Step 9.)

Lastly, the effects chain. We’re going to drop a copy of Ableton’s “Phaser” on the track with the preset “Acoustic Cascade” with the Dry/Wet knob dropped down to about 35% (we will go into a more in depth tutorial on the phaser at a later date).

Settings using the Phaser's 'Acoustic Casecade' preset.

For now, the “Acoustic Casecade” preset works fine for the desired sound. Be sure to keep the Dry/Wet knob around 35% for a more subtle sound.

Here is the final result:

 

So there it is. A pretty retro-fied Analog synth pad. Let me know what synth/settings you like to use for your pads.


8 Responses to “How To Create A Phased Out Retro Synth Pad With Analog”

  1. Adam Says:

    November 13th, 2010 at 12:11 am

    Yay a new tutorial !
    Reminds me of Alhpaville :)

    Cheers my friend, once again, please don’t stop !

  2. Javier Rivero Says:

    November 14th, 2010 at 9:05 am

    What Adam said!

  3. Alex Says:

    March 19th, 2011 at 11:20 pm

    What Javier said!

  4. Misha Says:

    April 26th, 2011 at 12:42 pm

    You said “change osc 2 to a saw wave” but you meant to say “square wave”

    Nice tut btw

  5. Tim Says:

    September 24th, 2011 at 7:59 am

    This blog is amazing. Keep up the great work.

  6. Kaz Says:

    June 13th, 2012 at 6:28 pm

    Awsome! Thank you again. I’ve been wondering how to get that airy pad sound.

  7. Jake Says:

    September 20th, 2012 at 2:35 pm

    I had no idea where to even start with making a synth, this is really going to help a lot! thank you so much

  8. Vios Says:

    October 17th, 2012 at 7:59 pm

    I love analog and I love your explanation! For those that are looking for more analog tutorials, I recommend looking at:

    http://www.abletonproductiontutorials.com/tag/analog/

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